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Ample Sound Have Released Ample China Dadi

Ample Sound have released Ample China Dadi (ACDD), a new instrument built on the Woodwind Sample Engine and ships with Apple Silicon M1 support. It includes head and body articulations, FX sounds and a select collection of improvised licks. It’s available at an intro price.


  • Recorded with 5 mics (Front, Middle, Back, Stereo Ambient). Each mic volume is adjustable and equipped with channel EQ.
  • 3 Mic modes: Mono, Modern and Traditional, capable of colorful sound designs.
  • There are 3 kinds of articulations – Head Group (blue keyswitches), Body Group (yellow keyswitches) and Special Effect Group (red keyswitches). Each group occupies one octave.
  • The head group is used to perform grace notes at head. Articulations with more grace notes are assigned to higher keyswitches; Ascending and descending articulations are close together.
  • The body group can not only perform grace notes at head, but can also be used for articulation legatos to express changes of the sound body.
  • The woodwinds have great dynamic range and timbre variation. The sample library provides 5 velocity layers, with sound from mildly soft to bright and strong.
  • There are 2 velocity layers for Expression articulation, 2 velocity layers for Vibrato articulation, and real samples of Trill sounds. Together with SAHDS virtual modulation system, they can create vivid and realistic notes.
  • Note velocity is used to control the start time of Expression and Vibrato articulations, to generate slowly developing notes or strong notes.
  • The sample length is about 8 seconds on average. In most cases, it can meet the requirements of a note. If longer notes are needed, users can turn on the Sample Loop function.


  • The Auto Legato System detects the duration of each note. For legatos whose duration is less than this value, only the straight legato will be triggered to ensure that no unwanted grace notes are generated during fast performance.
  • In Slide Legato mode, low velocity triggers slide notes.
  • In the real performance of the Woodwind, the legatos are ever-changing, sometimes hard and sometimes soft. Legatos with no changes cannot completely simulate real performance.
  • Hold pedal can be used to turn
  • The body group can be used for endless articulation legatos. For example, you can start with a Sustain, hold the note, then play the Expression Keyswitch (C1) to play legato to an Expression note; then play Marking keyswitch (E1) to play legato to a Marking note, and then press Laying keyswitch (F1) to play legato to a Laying note, and so on.
  • Playing the keyswitch when a note is sounding will reverse the sample at current position. It changes for example a Slide Up to Slide Down, or a Slow-Fast Vibrato to Fast-Slow Vibrato. It can also be used to control the sustained body of notes like Expression.
  • Each voice has its on SAHDS modulation envelope.
  • You can get natural and realistic vibratos while keeping the Mod wheel in one position.
  • The mod speed, gain, and pitch can also be adjusted.
  • The Wind is the sound of air blowing in the Woodwind tube. We extracted this sound from each real sample to enable the independent control of this element.
  • The sound of the woodwind without the Wind is very pure. Moderately control the volume of the Wind, and make some changes during the performance, can increase the feeling of “dirty” and breath, and improve the realism.

For more information on Ample China Dadi, click here:

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