Here are this week’s deals from 4Pockets. The offers end September 10th.
- Euclidean – from £9.99 to £6.99
- Copperhead – from £12.99 to £8.99
- NuRack – from £12.99 to £8.99
- Harmonic Exciter – from £8.99 to £5.99
Euclidean
Euclidean Sequencer is an alternative incarnation of the classic step sequencer that has become very popular in the modular realm. It is based on Euclidean rhythms developed by computer scientist Godfried Toussaint in 2004. Euclidean rhythms have their roots in Greek mathematician Euclid’s algorithm, which involves using the greatest common divisor of two numbers to place hits in a sequence as evenly as possible across a set timing divisions.
In practice this is actually simpler than you might think, and Euclidean Sequencer is a great way to auto generate complex musical sequences with no prior knowledge of how it actually works.
Euclidean Sequencer is an AUv3 plugin that can be loaded inside any popular host application that has flexible MIDI routing.
You can define up to 4 Euclidean rhythm parts, each part is referred to as a band. The bands are labelled A-D and colour coded RED, ORANGE, GREEN and CYAN. Together these 4 bands create a pattern, and you can create up to 16 seperate patterns per song patch.
Since each band can specify its own note sequence and output MIDI channel, you can create some quite sophisticated rythms patterns, driving 4 seperate instruments at once. Even better you can seamlessly switch patterns to create even longer evolving sequences. Patterns follow a specified key, scale, or defined chord.
You can even use MIDI input to automatically make note sequences conform to the currently playing chords.
Copperhead
Copperhead is an AUv3 digital subtractive synthesizer plugin which draws its influence from the vintage synthesizers of the early 80’s. Only now we have full polyphony, a build in arpeggiator, an a host of integrated effects. It features such as the ability to design custom waveforms, oscillator sync and various cross modulation modes. Cross modulation is a type of FM synthesis which can be used to morph simplistic waveforms into something far more aggressive and interesting.
At the heart of Copperhead are its two oscillators, which support all your traditional waveforms (SINE,SQR,SAW,TRI), as well as SuperSaw, Trapezium, and a user definable type. The app features pulse wave modulation for multiple sources, and the ability to sync oscillators.
The Voltage Controller Filter supports the usual LP, HP, BP and Notch filters, as well as a couple of unusual ones like Formant which allows you to sweep your cutoff to create interesting vowel sounds.
Copperhead also features twin LFO’s with random and one shot functionality. It also supports Cross, Ring and FM modulators, in addition to low and high shelf filters.
One of the great features is the integrated audio gate, which allows you to generate stuttering audio right out of the box. Combined with effects such as Chorus, Overdrive, Delay, Reverb and Auto Pan / Tremelo, and the ability to specify effect order, you have a lot of control over your sound.
If that wasn’t enough, we also include a 32 step sequencer, with various mono and poly modes with direct control control of various synth elements.
There’s a built in Preset Manager which groups presets into banks and groups, which supports drag and drop for easy import/export of presets. You can also access your favourites from a special popup menu, or via the built in quick search facility.
NuRack
NuRack is an AUv3 based multi-channel audio and MIDI effects processor with a difference, it actually allows you to design your own custom effects using the 80+ building blocks provided. You have full control over routing which allows you to create complex audio paths in series or parallel. You can choose whether to use the stock interface or create your own custom interface using the built in Interface Builder which allows you to concentrate your audio components into a single customized effect.
NuRack can run in one of two modes. The first providing 3 customizable effects racks which can be switched (manually or via MIDI), providing seemless switching (i.e. delay trails linger whilst another set of effects are faded in). The second mode allows you to route audio through 3 independent audio racks.
A generaous number of over 80 audio and midi building blocks are provided covering 12 different categories of effects. Here are just some of those included in NuRack:
Modulation Effects: Chorus, Flanger, Phaser, Tremolo, Vocal Doubler, TalkBox, UniVibe, Leslie & Vocoder.
Time Based Effects: Stereo Delay, Tape Delay, Reverb and Reverse Delay.
Spectral Effects: Parametric EQ, Graphic EQ, PitchShift, Auto-Pan, Bit-Crusher, Tube Overdrive, Distortion, Harmony, Harmonic Exciter and SlowMo.
Dynamic Effects: VelocityControl, Compressor, Multi-Band Compressor, Noise Gate, Gate, and Limiter.
Filter Effects: MultiFilter, LP/HP Filter, Frequency Splitter, MultiBand Splitter, Classic Filters, Formant Filter, Ring Modulation and Shelf Filter.
MIDI Effects: MIDI Harmony, MIDI Velocity, MIDI Randomizer, MIDI Monitor, MIDI Mixer, MIDI Pads, MIDI Control, Strummer, MIDI Recorder, MIDI Modulation, MIDI Remap, CC Monitor, CC Generator, PitchBend, MIDI Time Clock, and ChordToMidi.
Generator Modules: Noise, Audio Clip Launcher, SoundFont Player, Virtual Flute, Virtual Clarinet, Virtual Brass, FM Organ, FM Rhodes and Analog Sawtooth Synth.
Automation: TouchPad, AutoMate, Pattern Automation, and Visual LFO.
You also provide the ability to split and combine audio signal using splitters and mixer modules as well as a number of visual elements such as VU Meters, LED Meters, Scopes, Graphs etc.
Some effects such as phaser and flanger are usually controlled by an LFO, but this can be detached and automated remotely. There are a number of modules that allow auomation based on direct touch (X/Y Pads), Visual LFO, Pattern Automation, MIDI input (CC data), or peak/rms level detection. These automation modules can remotely control knobs and sliders throughout your rack.
Simply create a new rack and start adding modules to it. These modules are generally wired up automatically but these connections can be manually routed. Once you have your sound as you wish you can use it ‘as is’, or switch to Interface Builder mode where you can combine all your modules into a single interface. Elements can be dragged, dropped, resized and coloured as required. Add your own labels, image logos and custom backgrounds before saving your custom component.
Use the X/Y Pad to control your modulation effects by detaching their LFO’s. Use MIDI CC data to automate knobs. Use the velocity of an incoming signal to control the cutoff/resonance of a filter (wah) or volume level of a gain control (swell), as NuRack expands, so do the possibilities.
Harmonic Exciter
The main purpose of a Harmonic Exciter is to help instruments cut through a mix and give some edge and clarity to a sound by adding additional harmonics. It can even be used to simulate valve / transister based saturation or overdriven harmonic distortion.
Every sound under the sun can be constructed by a series of sine waves, the root sine wave denotes the fundamental percieved frequency or the series of waves. By adding additional harmonics which are simply multiples of the fundamental frequency you can turn say a simple sine wave into a square or sawtooth wave.
For those who know anything about synthesis you will know these complex waves pack more punch and brightness for the same volume level. So by adding additional harmonics we can lift a sound and make it appear louder, brighter and stand our in our mix. It can also be used to saturate say a bass frequency range boosting bass without needing additional EQ which simple boosts existing harmonics and oftern requires compression to keep under control. This makes the harmonic exciter a great tool for that perfect mix and a nifty trick audio engineers have been using for decades.
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