To celebrate the release of Phasetable Christian Thompson is offering 50% off his apps for this weekend only!!
- AE975 – $19.99 to $9.99
- Ample Juice – $14.99 to $7.99
- AU Studio – $9.99 to $4.99
- Elyfino – $19.99 to $9.99
- Fizzy Bacon – $19.99 to $9.99
- MetaSkew – $14.99 to $7.99
- Phasetable – $14.99 to $7.99
- Recodec – $14.99 to $7.99
- Robot Butter – $14.99 to $7.99
- Sentium Glitch – $29.99 to $19.99
AE975
Add presence, air, and density with AE975’s harmonic processor, 92 factory presets, and a hardware-style interface.
Give tracks presence without flattening the source. Add air, articulation, and density through a tuned parallel path.
AE975 is an AUv3 audio effect for subtle polish forward detail, and playable control.
AE975 keeps the dry signal as the foundation, listens to a Focus-controlled sidechain, generates source- derived harmonic texture. and blends the result back in parallel. The goal is mix-ready lift without treating brightness like a simple EQ boost.
Ample Juice
Plug in. Tune up. Play a chord. If it needs more bite, turn it up. If the low strings need to hit harder. add Pulp. If the top end is getting in the way, move the microphone. Ample Juice works like the rig you already understand, because playing guitar should not feel like programming one.
The whole signal path is in front of you: gate, boost drive, amp, 4×12 and microphone. No pages to remember and no puzzle of hidden settings. Start with the controls you know, turn them until the guitar sits right, and leave the rest alone.
Juice covers the ground between edge-of-breakup rhythm and a full lead voice. The first part of the dial adds body and sheen. The middle is where crunch lives. The last stretch opens quickly for sustain and saturation. Even when the gain is up, chords keep their notes instead of folding into one fizzy block.
Pulp sits before the amp, where your boost pedal would. It trims low end before the clipping starts and eans into the midrange, so palm mutes land firmly and down-tuned riffs do not spread across the floor Throw the Clean lever and the drive section steps aside; throw it back and every dirty setting is waiting where you left it.
No need to translate what you hear into studio jargon. Put a finaer on the mic and move it. or grab it with a mouse. Position it toward the cone centre for cut toward the edge for warmth, farther back for space or off-axis to soften a sharp pick attack. The cabinet picture is the control–move what you see and listen as the tone follows.
Use it as an AUv3 effect in your host or open the standalone app and choose your interface input. It adds no latency, so the note stays under your fingers The tuner is already at the front of the rig, presets can save without stopping playback, and every control can follow MIDI or automation.
25 factory presets give you useful starting points for clean, crunch, metal, lead and more. Save the sounds that belong to your songs and take them across your devices.
AU Studio
Built for Audio Unit enthusiasts and developers: audition plug-ins and presets, test MIDI setups, verify device validation, and see what each plug-in actually exposes.
AU Studio is a focused AUv3 host. not a DAW. Open installed Audio Units, inspect what they expose, and audition them without building a full session. Made for musicians, sound desianers, and AUv3 developers who need a fast, honest test bench.
Use AU Studio to catalog the Audio Units already registered on your device, load supported AUv3 interfaces, and verify how each unit behaves in a compact standalone host.
A focused Audio Unit host for discovering, opening, auditioning, and inspecting installed AUv3 extensions. It helps you answer practical questions: Is the unit visible? Does it load? Does it provide an interface? What busses, parameters, presets, MIDI capabilities, and state does it expose? Does MIDI reach it? Does audio pass through it?
It is not a DAW. It does not provide multitrack recording, clip launching, timeline arrangement, piano-roll sequencing, MIDI learn, parameter automation lanes, song export, mastering tools, or a built-in synth/effect engine. AU Studio does not provide its own Audio Unit. It hosts compatible Audio Units provided by other apps and exposes host- owned routing, auditioning, and inspection tools around them
Discovery is based on the system Audio Unit registry. If an AUv3 provider app is not installed, not enabled, or not visible to the platform, AU Studio cannot invent it. Hosted interface behavior, presets, parameter meaning, MIDI mapping, and DSP results belong to each Audio Unit
Elyfino
Turn 808s, drums, synths, guitars, and post hits into massive parts with subharmonics, fuzz, and tone shaping,
Some low-end tools are static. Elvfino listens! Feed it a bass line, 808, kick, synth, guitar, drum bus, cinematic hit, and it builds movement from the or source.
Make the low end feel larger without losing control.
Elvfino is a real-time AUv3 effect for producers beatmakers, mixers, and sound designers who need controlled low-end and harmonic edge. It combines program-dependent compression, source-tracked subharmonics, fuzz (optional), split-band tone shaping, wet/dry blend, calibrated output, factory presets, user presets, and MIDI control in one focused
processor.
Use Elyfino subtly to reinforce fundamentals, harder to make bass and drums shake the earth, or in parallel when you want controlled weight under the original performance.
Fizzy Bacon
Fizzy Bacon is a tape deck and compressor in one AUv3 effect for glue, saturation, drift, noise, and anything from subtle polish to melted cassette.
Some tracks are perfect and still sound like a computer. Fizzy Bacon puts a tape deck and its compressor together on the channel strip, moving quickly from barely-there glue and body to a completely melted reel.
MetaSkew
MetaSkew is a granular delay and pitch-shift effect built for producers, musicians, and sound designers who want one processor for width, motion, ambience, and controlled damage.
What you can shape:
- Delay time from tight doubling to long phrase memory
- Pitch from deep drops to shimmer intervals
- Grain size, smoothing, and gain for soft clouds or chopped repeats
- Feedback, pan, mix, and output for clean blend control
- Latch for frozen textures and phrase-end captures
- Spread and Skew for stereo width, asymmetry, and unstable character
The signature Skew control is the fastest way to move from polished enhancement into unstable texture. Keep it low for subtle smear, or push it with Spread, Feedback, and LFO movement for broken motion.
Modulation is built in. Three LFOs can run free or sync to musical divisions, with Sine, Triangle, Sample & Hold, and Saw shapes. Route movement to Delay, Pitch, Grain, Smoothing, Feedback, Mix, Pan, Spread, or Skew, then push subtle drift or obvious rhythmic motion.
Presets are designed around real production jobs, not random patches. Browse Utility, Width, Pitch, Atmosphere, Motion, Rhythmic, Freeze, Destruction, and Signature categories. Save your own snapshots, recall them later, and keep user presets synced through iCloud when available.
For hands-on control, MIDI Learn lets you map parameters to hardware. Default assignments cover the core effect, and MIDI CC broadcast can reflect parameter movement in connected setups.
Use MetaSkew for:
- Vocal throws and shimmer trails
- Wide synth doubles and guitar halos
- Drum stutters, glitch fills, and tempo-locked motion
- Frozen pads and transition beds
- Experimental resynthesis, smear, and warped ambience
Phasetable
A four-oscillator AUv3 wavetable synthesizer with custom WAV import, phase-warping, MPE, and deep motion control.
Phasetable is a precision wavetable instrument for immediate exploration and serious production. Start with its factory banks or bring in your own WAVs, then shape the source while it plays and put every detail in motion with MPE.
- Four independent wavetable oscillators with phase control, tuning, pan, filter routing, phase warps, unison, and cross-modulation
- Four free-running or tempo-synced motion lanes with 12 sources, 36 destinations, and 328 valid modulation routes
- Import, draw, edit, synchronize, and export multi-frame wavetable banks with up to 256 frames per bank
- Ladder filters, per-voice noise, Dirt wavefolding, Tape instability, tempo-aware Echo, and four-line Space reverb
- 54 factory banks, 34 presets, MIDI 1.0, MIDI 2.0, MPE, iCloud Drive sync, host automation, and standalone controls
Recodec
Shape drums, vocals, synths, guitars, and loops with a compact AUv3 effect built for grit, texture, harmonic color, and fast control,
Recodec is an AUv3 audio effect for turning clean signal into textured, character-rich tone
Use Crusher for bit-depth style reduction, Reducer for sample-rate style degradation, Refine for smoother oversampled processing, Drive for added harmonic color. and Bass and Treble to rebalance the result. Then place the effect exactly where it belongs with Dry / Wet and the alwavs-on Limiter
Recodec is built for fast experimentation. The classic interface keeps the core controls close, supports mono and stereo operation, includes factory presets across multiple categories, and lets you save your own user presets for quick recall.
Recodec also includes MIDI Learn, Host Learn, CC assignment, and optional CC broadcast feedback for hands-on control workflows.
The included companion app can load Recodec directly, help configure input and output routing, provide safe monitoring controls, and provides a comprehensive user manual.
Robot Butter
Shape vocals, guitars, synths, drums, and more with animated modulation, adaptive reverb, tempo-synced motion, and digital texture.
Robot Butter is a creative AUv3 audio effect for compatible hosts on iPhone, iPad, and macOS. It blends animated modulation, adaptive reverb, tempo- aware movement, and digital texture into one fast playable interface.
On iPhone and iPad, Robot Butter also includes a standalone app for direct access to the effect and built-in manual. On macOS, the native app serves as a built-in manual companion while the plug-in runs in compatible AUv3 hosts.
At the core is the Robot engine, where Actuator Viscosity, and Controller create the main motion and character of the signal. That signal then feeds Butter, an adaptive reverb stage designed to intelligently stay musical while responding to the effective movement of the Robot section. The result can move from focused width and pulse to washed ambience strange motion, and unstable experimental color.
The Chipset section extends the sound with a built-in assignable LFO matrix and a post-reverb System Bus reduction stage. Run the LFO freely in Hz or lock it to musical divisions for host-synced movement, there route it to kev Robot or Butter controls for evolving motion. Add System Bus for subtle grain or push it harder for sharper, crushed digital edge.
Robot Butter is designed to stay immediate. The interface aives you direct control over modulation blend, depth, reverb shape, output mix, and motior timing without pushing you into a complicated modulation environment. A built-in user manual inside the standalone app includes overview pages parameter explanations, quick-start quidance glossary entries, MIDI notes, and troubleshooting help, with scrollable section pills that keep longer labels readable. Factory presets and user presets make it easy to jump from polished mix enhancement to stylized movement and aggressive sound design.
Sentium Glitch
Layer Subtractive, FM, Karplus-Strong, and Wavetable engines with XY Pad motion, powerful routing, FX and 92 factory presets.
Build animated electronic instruments from four synthesis engines. Blend Subtractive, FM, Karplus-Strong, and Wavetable layers.
Sentium Glitch is a stereo AUv3 synthesizer for producers, composers, and sound designers who want lavered motion inside one focused instrument. Use it in compatible AUv3 instrument hosts, or open the standalone app on iPhone, iPad, Mac, and Apple Vision Pro to load the same experience, connect MIDI inputs, and play it as a standalone instrument.
Every patch is a complete sound design document: four engine layers, per-layer envelopes, filters, LFOs, modulation routes, pan, level, engine bypass, master effects, polyphony budgeting, voice mode and glide, and optional recorded XY Pad motion all recallable through presets and AU host project state.
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