The latest bunch of price drops from 4Pockets ending October 7th.
- Copperhead – $14.99 to $7.99
- Euclidean Sequencer – $14.99 to $7.99
- Shimmer FX – $7.99 to $3.99
- Extended Offer:
- QuadroSphere – $14.99 to $7.99
Copperhead
Copperhead is a digital subtractive synthesizer plugin which draws its influence from the vintage synthesizers of the early 80’s.
Copperhead has polyphony, a built-in arpeggiator, an a host of integrated effects. It features such as the ability to design custom waveforms, oscillator sync and various cross modulation modes. Cross modulation is a type of FM synthesis which can be used to morph simplistic waveforms into something far more aggressive and interesting.
At the heart of Copperhead are its two oscillators, which support all your traditional waveforms (SINE,SQR,SAW,TRI), as well as SuperSaw, Trapezium, and a user definable type. The app features pulse wave modulation for multiple sources, and the ability to sync oscillators.
The Voltage Controller Filter supports the usual LP, HP, BP and Notch filters, as well as a couple of unusual ones like Formant which allows you to sweep your cutoff to create interesting vowel sounds.
Copperhead also features twin LFO’s with random and one shot functionality. It also supports Cross, Ring and FM modulators, in addition to low and high shelf filters.
One of the great features is the integrated audio gate, which allows you to generate stuttering audio right out of the box. Combined with effects such as Chorus, Overdrive, Delay, Reverb and Auto Pan / Tremelo, and the ability to specify effect order, you have a lot of control over your sound.
If that wasn’t enough, we also include a 32 step sequencer, with various mono and poly modes with direct control control of various synth elements.
We have a built in Preset Manager which groups presets into banks and groups, which supports drag and drop for easy import/export of presets. You can also access your favourites from a special popup menu, or via the built in quick search facility.
Euclidean Sequencer
Euclidean Sequencer is an alternative incarnation of the classic step sequencer that has become very popular in the modular realm. It is based on Euclidean rhythms developed by computer scientist Godfried Toussaint in 2004. Euclidean rhythms have their roots in Greek mathematician Euclid’s algorithm, which involves using the greatest common divisor of two numbers to place hits in a sequence as evenly as possible across a set timing divisions.
In practice this is actually simpler than you might think, and Euclidean Sequencer is a great way to auto generate complex musical sequences with no prior knowledge of how it actually works.
Euclidean Sequencer is an AUv3 plugin that can be loaded inside any popular host application that has flexible MIDI routing.
You can define up to 4 Euclidean rhythm parts, each part is referred to as a band. The bands are labelled A-D and colour coded RED, ORANGE, GREEN and CYAN. Together these 4 bands create a pattern, and you can create up to 16 separate patterns per song patch.
Since each band can specify its own note sequence and output MIDI channel, you can create some quite sophisticated rhythms patterns, driving 4 separate instruments at once. Even better you can seamlessly switch patterns to create even longer evolving sequences. Patterns follow a specified key, scale, or defined chord.
You can even use MIDI input to automatically make note sequences conform to the currently playing chords.
Euclidean Sequencer now supports 4 different modes, traditional Euclidean, PolyRhythm, PolyMeter and PolyTempo. We have many great ways to automatically generate complex rhythms making it an invaluable tool for experimental music creation.
Shimmer FX
This is an AUv3 compatible effect which must be used as plugin with your favourite DAW such as Cubasis, Meteor, Auria or GarageBand. It supports a modern graphical interface and presets with stereo meters for monitoring signal levels.
This shimmer effect is a combination of effects that creates an etherial wall of sound. The effect combines a digital delay and pitch shifter to create multiple harmonies before entering a rich long reverb with controllable filtering. The resulting effect is a monsterously huge sound adding a spacious atmospheric quality to any lead instrument or vocal.
The effect also features many beat synced modulation options with various modes of operation such as your basic pans and vibrato effects but including sweeps and morphing harmonies.
Finally to give the effect some real ‘shimmer’ we’ve added a harmonic exciter and a sustain section which samples and holds on to the sound to pull out and emphesise the harmonics.
The effect presents all the most frequently used controls to the user in a single screen, but each effect has it’s own distinct set of controls and a total of 7 pre-configured touch pads allowing easy recording of controller data.
This plugin allows complete parameter automation and auto synced modulation to master tempo.
QuadroSphere
QuadroSphere is a great tool for bringing an instrument to life by creating a soundscape with a constantly moving sound source. QuadroSphere splits the incoming audio signal into 4 distinct coloured frequency bands using the frequency bar. Each band has an associated coloured sphere allowing you to control the pan, stereo separation and volume level.
You can use this plugin as a way to impose subtle control over stereo placement with little or no movement, or go crazy with random automation. Adding effects such as reverb or delay on a specific frequency band can help create a lush atmospheric swirling which surrounds the listener. This is great for musicians trying to create minimalistic ambient or tranquil soundscapes.
You can create up to 12 snapshots of the sphere parameters and effect settings, then morph between them at a designated speed (measured in beats). You can also enable continuous randomization mode, and have full control over which spheres and control which parts are automated.
You can also use QuadroSphere as a stereo splitter, using the additional outputs to add your own effects to band outputs.
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