Here are this weekend’s bunch of deals from 4Pockets. The offers end February 26th.
- Surface Builder – $12.99 to $8.99
- DigiStix 2 – $12.99 to $8.99
- Neon Editor – $14.99 to $9.99
- StringLab – $14.99 to $9.99
Surface Builder
Surface Builder is a tool for creating control surfaces that send MIDI data to one or more audio components in order to simplify remote control tasks. You start by creating a surface of a given size, adding buttons, knobs, faders, etc. to the surface and configuring them to generate the required MIDI output. Surface Builder allows you to send note on/off, controller change and program change values as well as being able to emulate modulation wheel and pitch bend data. Buttons can also be configured to send bulk MIDI data using a single key press. You can build surfaces that span multiple scenes and link between them for large complex interfaces.
Incoming MIDI data can also be used to control or trigger elements of the interface, giving a bi-directional stream of MIDI data. Surface Builder can be added as a pure MIDI plugin which allows processing of MIDI only, or as an instrument plugin, allowing you to process audio passing through it. You can even load it as an intrument and configure a surface to start and stop audio clips either manually or remotely.
Surface Builder was designed to be used as an AUv3 plugin within your favourite DAW, but it can also be used in standalone to send MIDI directly to MIDI hardware using direct access to their MIDI ports.
Many different object types are supported including buttons, switches, lights, rotary knobs, faders, sliders, XY-Pad, keyboards, as well as text, image and box objects. Each object has many different styles and colours, so no two surfaces look the same.
Drag and drop an audio file onto a button and that button becomes a clip player. Attach rotary knobs to control the clips volume and pan. Throw on top of that a LP/HP filter knob and you are cooking on gas. Drop PNG transparent image icons on buttons to customise the look and feel.
A button can record and playback bulk MIDI commands, on both button press and release. So pressing a button could send the notes of a chord when pressed, and appropriate note offs on release.
A surface can consist of up to 6 scenes for really complex designs. Buttons and switches can be used to switch scenes and also to show and hide other objects to make better use of screen space. Once your surface is complete switch to presentation mode to hide all the toolbars. Each surface can be saved with compressed audio and images all in a single surface file.
DigiStix 2
This new version of DigiStix brings some distinct advantages over its predecessor, most notably the ability to host up to 64 samples per drumkit with 5 layers per pad. The interface has been drastically redesigned for iPad to make better use of full screen mode, allowing a popular MPC style 4×4 pad layout with 4 banks of samples. Digistix 2 also allows greater control over the multi-sample layers, with the ability to individually control the volume levels and pitch of layers as well as global pitch and tune settings all from the new sample window.
Previously, each pad had effect sends for the internal reverb and delay effects, but this can now be routed to external busses 9 and 10 for processing using external effects.
The controller editing is now build into the main display and can be edited in place without the need to scroll the interface. It also now supports extra effect controllers. A new context aware control window allows you to quickly change pad settings without the need for popup windows.
DigiStix 2 now supports GM and original DS drum kit layouts, and includes a sophisticated multi-layer Auto Sampler, capable of recording new GM compatible drumkits automatically from your hardware. It is 100% backward compatible with the original app, and can be used as a drop-in replacement.
Drag and drop support now allows you to directly drop samples on specific layers, as well as preview and edit them directly. You can create new kits by simply combining banks from existing kits into one mega kit, or use our non destructive referencing to include sounds from other kits.
The randomize feature has been enhanced so you can randomize individual instruments or within specific banks. The new continuous MIDI learn mode makes custom mapping a breeze.
Patterns can also be exported as MIDI stems for use in other packages including a direct import to Helium clips. You can also export patterns as audio in the latest version.
The auto sample feature allows automated recording of GM compatible kits directly from hardware drum machines. The slice editor can also be used for MPC style slicing of audio clips.
Neon Editor
Neon is a lightweight digital audio editor and recording plugin compatible with any AUv3 host. It supports most major iOS file formats, and allows simple drag and drop between plugins. The editor allows you to import audio from a file or the system clipboard, as well as the ability to record incoming audio.
As an editor it supports all the usual functionality you would expect as well as being able to edit samples on a per sample basis at extreme zoom levels.
Neon also contains a number of built in effects that can be applied to the whole file or a selection. Effects can be previewed and tweaked prior to applying an effect.
Neon can also be used as a clip launcher within an AUv3 Host, with the ability to remotely trigger one shot or looped samples. The Warp function can automatically adjust the tempo of a clip to the host tempo without affecting pitch.
Neon also features a slicer which allows you to cut up a sample into multiple slices that can be played back via an incoming MIDI controller.
StringLab
StringLab is a physical string modeling synthesizer based on Karplus-Strong theory. It is capable of reproducing the sounds of many different types of instruments, but is especially useful in the reproduction of hammered or plucked strings and other types of percussive instruments.
It works by passing carefully crafted waveforms and short bursts of white noise through a series of tuned delay lines. The delay lines have an internal feedback loop with a series of filters to mimic the natural decay of harmonics found in a real instrument. StringLab allows you to discover the character of real-world accoustics, exploring the physics of how materials interact. Many new and original textures are born out of experimenting with the settings, so don’t be afraid to experiment and create your own unique and dynamic instruments.
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