4Pockets are offering deals 5 apps for this weekend, ending September 23rd.
- WaveCloud Granular – $14.99 to $8.99
- EvolverFX – $12.99 to $7.99
- AudioScope – $14.99 to $9.99
- MIDI Strummer – $12.99 to $8.99
- MIDI Layers – $9.99 to $6.99
WaveCloud Granular
WaveCloud is an innovative granular synthesizer that offers powerful tools for manipulating and playing sounds. Granular synthesis divides an audio sample into tiny fragments, called grains, each typically a few milliseconds in length. These grains are then manipulated independently in terms of pitch, duration, position in time, and amplitude. Unlike traditional synthesis, the capability to manipulate tiny grains of audio offers enormous precision of sound control, transformation, and compositional possibilities.
WaveCloud offers a wide range of tools for experimentation – oscillator, LFOs, filters, envelopes, routing matrix, innovative WaveGlide and Orbit modules for grain movement, effects, MPE support, extensive waveform editing, customizable themes, MIDI CC control, aftertouch, audio pool manager, and 200+ presets to get you started.
Granular synthesis is extremely versatile and can produce a vast range of sounds and textures, from subtle, atmospheric sounds to complex, dynamic ones. WaveCloud offers dozens of parameters, enabling you to sculpt the sound grains in any way you wish – textural pads and atmospheres, time-stretched effects, glitchy and stutter effects, vocal and instrumental manipulations, granular synthesis percussive sounds, experimental effects, as well as microtonal and harmonic soundscapes.
WaveCloud features a drag and drop system for importing and exporting of audio files and presets. It has its own built-in Preset and Audio Managers to help keep everything in order. WaveCloud even features a fully-fledged zoomable audio editor along with a suite of tools to crop, fade, cut, copy, paste, and normalise your samples.
4Pockets include a morphing 3-state Oscillator to support the granular engine. The granular engine allows up to 50 grains per second per note, with grain lengths up to a second in length. Grains can be sculpted with our morphing envelope generator, manipulated with our LFOs, FEGs and VCFs, and passed through lots of randomisation to keep things continually evolving.
WaveCloud also features two unique features for adding movement to audio grains. Orbit mode allows you to play sweeping patterns tied to the physical host tempo of your DAW, and WaveGlide is a sequencer with glides and fades from one location to another.
To top it all off, we include 7 built-in effects, delay, reverb, chorus, overdrive, phaser, resonator, and 8-band EQ. The resonator controls per-note feedback and dispersion for amazing MPE effects.
WaveCloud is not only a deep and powerful granular synth but also a fun way to create many incredible sounds.
EvolverFX
Evolver is a performance tool for creating multi-layered evolving sequences of sound. At its most basic think of evolver as a 4 lane sequencer which creates automatic accompaniment from notes and chords as you play on your MIDI keyboard, but it can also be used to create elastic evolving soundscapes where audio samples seamlessly merge into one another to create highly complex and original sounds.
At the heart of evolver is a sophisticated wave synthesizer and sequencing engine which can create dramatic hard hitting transitions of sounds or merge sounds to create seamless transitions that evolve in time to the beat. It has 4 sequencer lanes which can run independently and mixed together using the real-time controls or over MIDI. When you play a chord on your MIDI keyboard for instance, each of the 4 sequencer lanes will take those MIDI notes and translate them into a musical sequence of sounds which are combined together and synced to create a form of automatic accompaniment.
Evolver can load its own multi-layer patches or import them directly from Chameleon. These patches can be layered using the 4 sequencer lanes or split over a virtual keyboard. You can assign key zones, transpose them, assigned MIDI channels and velocity levels, set latch options etc. You can also load in your own one shot samples and lay them end on end to create evolving atmospheres or backing soundscapes. These samples can be looped or be free running with definable start/end and loop points using our non destructive editor.
4Pockets also included a third sound source which lets you build sounds on the fly by overlaying harmonics to create anything from traditional sine, square, triangle, saw waves to complex detuned oscilators. These can be used in conjunction with multi-samples or one-shot-samples within the same sequencer lane. You can even randomize a complete sequence of harmonic sounds which when pieced together create some very unique and dynamic voices.
Each sequencer lane can be up to 64 steps in length, each step has independent timing, pitch, volume, gate, probability, sample source etc. so the scope of what is achievable is vast. Each sequencer lane has its own ADSR, VCF and LFO which operates on all sounds within its lane, as well as being able to change the underlying settings for each sound source.
Evolver also includes an ARP function which can be run in one of the default modes or you can define your own fingering patterns to be used to enhance your playing style.
Create your own sequences, lay down your MIDI notes in your DAW and have Evolver automatically play along to your chord sequences, automatically locking to the host tempo. Sequencer events can be fixed or transposed allowing you to create percussive and drum backing using a single lane.
AudioScope
AudioScope is an invaluable audio plugin for mixing and mastering with a toolbox of additional mixing aids. It was originally created as a method for comparing your mix to a reference track and seeing exactly what frequencies to tweak in order to obtain a desired match. This alone is incredibly useful for creating the feel of a particular genre of music, by tweaking your mix to match.
AudioScope is so much more than this! It includes a great visual mixer which enables you control your entire mix from a single window inside your DAW. You see a top-down visualisation of your entire mix and stereo balance. You can save up to 3 compare mixes and quickly switch between them. You can also save up to 12 snapshots of stereo positions and levels, then morph between them. All of this functionality is available via MIDI, so with one simple CC command, you can switch out one mix for another or engage a snapshot. You are able to group your drums and other elements so that the mix doesn’t become overwhelming, allowing you to focus on a subset of key elements if you wish. AudioScope also includes a suite of tools to adjust EQ, compression, and overall balance of your mix.
The way AudioScope works is unique, with a quick and easy workflow: Insert an instance of AudioScope on each of your track’s Insert Effect slot and name the track. Now simply open one of the instances and you have the ability to control all tracks from a single window.
AudioScope is equiped with its own shelf and peak filters, EQ and lookahead compressor (with Sidechain).
MIDI Strummer
MIDI Strummer is an AUv3 plugin designed to simulate guitar strumming and picking techniques. It can used to generate MIDI note data which can be sent to either an external synth of choice or the internal soundfont engine.
The inbuilt soundfont player allows you to import all your favourite .SF2 and .DLS soundfonts and use them as a sound source. MIDI strummer has a set of 16 definable chord pads that can hold a series of chords, which in turn can be triggered remotely via MIDI messages or by tapping the pads.
Use the pattern editor to create a series of picking or strumming patterns that can be tranposed to the selected chord pad.
Song mode allows you to chain these chord patterns together to form songs combining both picking and strumming patterns within the same song. Enable 6/12 string on a particular part to emphesize a pert by adding depth.
Strummer also features a number of audio effects that can be used to enhance the audio from the soundfont player. These include overdrive, distortion, tremolo, chorus, phaser, graphic EQ, digital delay and reverb.
MIDI Layers
MIDI Layers is an AUv3 MIDI plugin designed to allow sophisticated routing of MIDI data in hosts such as AUM or Cubasis.
Have you ever wanted to play multiple instruments from a single master keyboard during a live performance? Would you like to be able to set up keyboard splits, crossfade layers or create an ensemble of layered instruments? If you answered yes to either of those questions, then MIDI Layers may be your solution.
Layers allows you to create up to 12 scenes, each with up to 127 layers, spanning your entire master keyboard. These scenes allow you to seamlessly switch between various layer mappings at any time during a performance.
Each layer controls the MIDI output, which can be routed to one of MIDI Layers 16 output ports and 16 channels. So if you have 5 layers in your scene, each layer is able to divert MIDI key input to 5 destinations, allowing you to control 5 instruments from one master keyboard.
Layers can overlap, meaning you can create an ensemble of two or more instruments. Layers can also have cross fades so that you can fade from one instrument to another across a specified range. You can also control the velocity curves of a layer if you need to emphasize note velocity at a certain set of octaves.
Each layer can also be remapped so that you can target a different key range on the destination instrument. This allows you to have several single note layers that can target specific drum machine samples for instance.
You can assign a song per scene, or have several scenes containing parts of the same song. Switching scenes is simple, using the on screen scene buttons, via AU parameters, or you can even add a special control layer to a scene which can then be triggered via your master keyboard.
It is also possible to assign a Program Changes to a layer. When you switch scenes, each layer can fire off its own program change to your destination instruments.
Each scene can be assigned its own scale, which enables you to play using only the white notes so say goodbye to wrong notes.
Finally, layers can be assigned to mute groups, allowing you to quickly turn on/off groups of layers with a single key or button press.
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