Here are this weekend’s bunch of 4Pockets deals for this weekend which end May 27th. As it’s a Bank Holiday weekend in the UK, there are a few extra treats than usual.
- Oscidia – $14.99 to $8.99
- Copperhead – $14.99 to $8.99
- EvolverFX – $14.99 to $7.99
- DigiStix 2 – $14.99 to $8.99
- Progressions – $12.99 to $6.99
- Neon Audio Editor – $14.99 to $7.99
- Kaleidoscope Echo – $12.99 to $6.99
- DigiKeys – $14.99 to $6.99
- Audio Shredder: $9.99 -> $5.99
Oscidia
Oscidia is an AUv3 plugin for iOS which can be loaded into your favourite DAW allowing you to use it as a sound source for any MIDI source. Its wide range of features and oscillator types allow it to produce a vast variety of sounds. In particular, the inclusion of Wavetable greatly expands the traditional wave types and brings a wealth of modulation options. Oscidia has 3 oscillators per voice, and each oscillator can be a different wavetable – all working and morphing together to create some incredibly amazing sounds.
Oscidia includes SINE, SAW, SQUARE, TRIANGLE, SUPERSAW, SUPERSQUARE, WAVETABLE and ADDITIVE wave types. You can import and export compatible wavetables using drag and drop directly to the Wavetable manager. Wavetables support morphing and warping (phase distortion), all controlled by the Mod Matrix routing. The SINE and TRIANGLE wave types both support several wave folding modes which allow dramatic real-time morphing too.
Oscidia supports 5 filter types which support 12/24dB modes and morphable LP/BP/HP filter modes which can be automated from the Mod Matrix or via the Sequencer. The sequencer itself is very unique and allows up to 3 simultaneous ARPs to play at the same time. Each ARP can directly control the 3 oscillator levels independently per step, as well as the pitch, filter morph, cutoff frequency, probability, gate, note repeat and ties. This allows for complex rhythms to be created that are not tied to pitch.
Copperhead
Copperhead is a digital subtractive synthesizer plugin which draws its influence from the vintage synthesizers of the early 80’s.
Copperhead has polyphony, a built-in arpeggiator, an a host of integrated effects. It features such as the ability to design custom waveforms, oscillator sync and various cross modulation modes. Cross modulation is a type of FM synthesis which can be used to morph simplistic waveforms into something far more aggressive and interesting.
At the heart of Copperhead are its two oscillators, which support all your traditional waveforms (SINE,SQR,SAW,TRI), as well as SuperSaw, Trapezium, and a user definable type. The app features pulse wave modulation for multiple sources, and the ability to sync oscillators.
The Voltage Controller Filter supports the usual LP, HP, BP and Notch filters, as well as a couple of unusual ones like Formant which allows you to sweep your cutoff to create interesting vowel sounds.
Copperhead also features twin LFO’s with random and one shot functionality. It also supports Cross, Ring and FM modulators, in addition to low and high shelf filters.
One of the great features is the integrated audio gate, which allows you to generate stuttering audio right out of the box. Combined with effects such as Chorus, Overdrive, Delay, Reverb and Auto Pan / Tremelo, and the ability to specify effect order, you have a lot of control over your sound.
If that wasn’t enough, we also include a 32 step sequencer, with various mono and poly modes with direct control control of various synth elements.
We have a built in Preset Manager which groups presets into banks and groups, which supports drag and drop for easy import/export of presets. You can also access your favourites from a special popup menu, or via the built in quick search facility.
EvolverFX
Evolver is a performance tool for creating multi-layered evolving sequences of sound. At its most basic think of evolver as a 4 lane sequencer which creates automatic accompaniment from notes and chords as you play on your MIDI keyboard, but it can also be used to create elastic evolving soundscapes where audio samples seamlessly merge into one another to create highly complex and original sounds.
At the heart of evolver is a sophisticated wave synthesizer and sequencing engine which can create dramatic hard hitting transitions of sounds or merge sounds to create seamless transitions that evolve in time to the beat. It has 4 sequencer lanes which can run independently and mixed together using the real-time controls or over MIDI. When you play a chord on your MIDI keyboard for instance, each of the 4 sequencer lanes will take those MIDI notes and translate them into a musical sequence of sounds which are combined together and synced to create a form of automatic accompaniment.
Evolver can load its own multi-layer patches or import them directly from Chameleon. These patches can be layered using the 4 sequencer lanes or split over a virtual keyboard. You can assign key zones, transpose them, assigned MIDI channels and velocity levels, set latch options etc. You can also load in your own one shot samples and lay them end on end to create evolving atmospheres or backing soundscapes. These samples can be looped or be free running with definable start/end and loop points using our non destructive editor.
We also included a third sound source which lets you build sounds on the fly by overlaying harmonics to create anything from traditional sine, square, triangle, saw waves to complex detuned oscilators. These can be used in conjunction with multi-samples or one-shot-samples within the same sequencer lane. You can even randomize a complete sequence of harmonic sounds which when pieced together create some very unique and dynamic voices.
Each sequencer lane can be up to 64 steps in length, each step has independent timing, pitch, volume, gate, probability, sample source etc. so the scope of what is achievable is vast. Each sequencer lane has its own ADSR, VCF and LFO which operates on all sounds within its lane, as well as being able to change the underlying settings for each sound source.
Evolver also includes an ARP function which can be run in one of the default modes or you can define your own fingering patterns to be used to enhance your playing style.
Create your own sequences, lay down your MIDI notes in your DAW and have Evolver automatically play along to your chord sequences, automatically locking to the host tempo. Sequencer events can be fixed or transposed allowing you to create percussive and drum backing using a single lane.
DigiStix 2
DigiStix 2 is an AUv3 compatible drum machine and sampler plugin for your favourite DAW.
This new version of DigiStix brings some distinct advantages over its predecessor, most notably the ability to host up to 64 samples per drumkit with 5 layers per pad. The interface has been drastically redesigned for iPad to make better use of full screen mode, allowing a popular MPC style 4×4 pad layout with 4 banks of samples. Digistix 2 also allows greater control over the multi-sample layers, with the ability to individually control the volume levels and pitch of layers as well as global pitch and tune settings all from the new sample window.
Previously, each pad had effect sends for the internal reverb and delay effects, but this can now be routed to external busses 9 and 10 for processing using external effects.
The controller editing is now build into the main display and can be edited in place without the need to scroll the interface. It also now supports extra effect controllers. A new context aware control window allows you to quickly change pad settings without the need for popup windows.
DigiStix 2 now supports GM and original DS drum kit layouts, and includes a sophisticated multi-layer Auto Sampler, capable of recording new GM compatible drumkits automatically from your hardware. It is 100% backward compatible with the original app, and can be used as a drop-in replacement.
Drag and drop support now allows you to directly drop samples on specific layers, as well as preview and edit them directly. You can create new kits by simply combining banks from existing kits into one mega kit, or use our non destructive referencing to include sounds from other kits.
The randomize feature has been enhanced so you can randomize individual instruments or within specific banks. The new continuous MIDI learn mode makes custom mapping a breeze.
Patterns can also be exported as MIDI stems for use in other packages including a direct import to Helium clips. You can also export patterns as audio in the latest version.
The auto sample feature allows automated recording of GM compatible kits directly from hardware drum machines. The slice editor can also be used for MPC style slicing of audio clips.
Progressions
Progressions is an AUv3 MIDI plugin for your favourite DAW. It can be used to generate a unique set of chords that are unrelated to traditional scales, which become predictable and repetative over time. Instead, Progressions uses a unique way of mathermaically generating a series of related chords using only a root note and mode (major or minor). Chord sequences are limited by the selected complexity and freedom levels, which mimic the way traditional composers of old would wander away from tonality and back again.
The complexity level start off at Basic, which uses only the most common chords (I, IV, V and relative minor ii, iii, and vi triads). As you progress through the levels, you can add parallel majors and minors, sus and dom chords etc. At level 3 we start to introduce 6th and 7th chords, and then 9ths chords, all the way to 11ths, 13ths, Quartals and all their variations.
The freedom level allows us to specify how far to drift away from tonality (the root), even allowing you to create never ending randomized soundscapes.
Progressions allows you to quickly randomize a toolbox of chords, that can be played in a variety of modes (block chords, arpeggiated, or strummed). These can be synced to a host application, triggered remotely or pieced together into a song.
Song mode allow you to change play modes on the fly as well as being able to control many features of the app in real time.
Progressions supports open and closed chords with selectable voicings. It has an intelligent algorithm that attempts to align top notes of chords, add additional bass, and open chord padding to give equal weight to chords with only 3 notes. You can even play with rootless voicings.
The Humanize section allows you to control chord and note timings, as well as set velocity variations to ensure things don’t get too robitic.
Progressions also features an integrated arpeggiator and strummming pattern editor. You can load up to 6 arp and 6 strum patterns at the same time and seemlessly switch between them manually, remotely, or using song mode.
If you run multiple instances, Progressions allows you to sync your chord pads, song chain, arpeggiator / strum patterns between instances.
Progressions can be loaded as a MIDI plugin or as an Instrument for those programs that don’t support MIDI plugins (such as GB). Additionally when loaded as an instrument, you can use either internal sounds (soundfonts) or send MIDI directly to other MIDI instruments.
Neon Audio Editor
Neon is a lightweight but feature rich digital audio editor and recording plugin compatible with any AUv3 host. It supports most major iOS file formats, and allows simple drag and drop between plugins. The editor allows you to import audio from a file or the system clipboard, as well as the ability to record incoming audio.
As an editor it supports all the usual functionality you would expect as well as being able to edit samples on a per sample basis at extreme zoom levels.
Neon also contains a number of built in effects that can be applied to the whole file or a selection. Effects can be previewed and tweaked prior to applying an effect.
Neon can also be used as a clip launcher within an AUv3 Host, with the ability to remotely trigger one shot or looped samples. The Warp function can automatically adjust the tempo of a clip to the host tempo without affecting pitch.
Neon also features a slicer which allows you to cut up a sample into multiple slices that can be played back via an incoming MIDI controller.
Kaleidoscope Echo
Kaleidoscope is an AUv3 MIDI processor designed specifically to simulate audio delay lines, but instead of processing audio data, it generates a series of delayed MIDI messages to achieve the same thing sonically, but with some added advantages.
You can have Kaleidoscope emulate multi-tap delays and gating effects, as well as being able to manipulate the pitch and velocity of each repeat, something that is not normally done using a typical audio echo or delay effect. By default, all repeated notes are processed using the chromatic scale mode, but you are free to impose any key and scale to ensure any pitched notes are incremented or decremented in accordance with the chosen scale.
Any MIDI notes that are presented to the Input MIDI port are processed by Kaleidoscope, and the modified output is then passed on to other instrument plugins. You can chain multiple instances of Kaleidoscope to create even more complex harmonies. For example, the first instance could turn one note into a simple 3-note chord, and the second instance could add octave offsets to create a lush, multi-octave outputs – all from a single note!
It is also possible to perform simple, real-time harmonies using Kaleidoscope by setting the number of repeats to zero. In this mode, you can customize the pitch and velocity settings and add up to 17 additional harmonies.
You can also switch to user definable mode to specify per step velocity and pitch settings to create complex sequences, complete with ties, note skip and loop mode.
DigiKeys
DigiKeys is an AUv3 compatible MIDI sequencer plugin for AUM or other AUv3 compatible host applications.
DigiKeys is a pattern based sequencer which can be used to drive either external MIDI based AUv3 instruments, or the internal sample based audio engine. It can also be used as a 16 channel multi-timbral sound source accepting MIDI data on each of the 16 MIDI channels and routing to 16 internal instruments. This flexible design allows you to experiment with pattern based song construction using the DigiKeys sound engine, then map to external MIDI based synth engines once an idea needs expanding. The program was created specifically for AUM, but should function fine under any DAW of your choice (routing options permitting). The advantage of AUM is its unlimited routing flexibility, and the ability to split MIDI output in order to feed multiple AV3 sound sources
DigiKeys allows you to create looped patterns which can later be chained into songs. Each pattern has 16 tracks (one for each MIDI channel) which can be up to 32 steps in length. Each track can have its own playback speed, transposition and effects routings. You can chain up to 256 of these patterns together into a song, and since each song is tied to a scale, you can use the transpose function to quickly create chord changes without needing to redesign your patterns.
DigiKeys was designed to drive other MIDI compatible AUv3 plugins, but comes equiped with its own internal synth engine with over 100 custom presets. If you own the 4Pockets Chameleon sampler plugin, DigiKeys will auotmatically make those instruments available to you, so its easy to expand the library of instruments using Chameleon.
The app has its own custom MIDI mixer, which controls incoming / outgoing MIDI velocity levels rather than traditional audio levels. This allows you to control relative volumes of internal as well as external MIDI instruments. It also allows DigiKeys to be used as a multi-timbral sound source with level mixing, by routing MIDI data on each of the 16 incoming ports to seperate instruments.
DigiKeys features a sophisticated random pattern generator capable of taking advantage of random velocities, probability, note length, sub beats and reverse hits. It can even randomize targetted notes that comply to a chord in the song scale.
The latest update introduces a live matrix performance mode that lets you mix tracks from different patterns in real time, creating scenes to aid your performance. Patterns and scenes can be triggered remotely from MIDI equipment sending simple note data on MIDI channel 16. Also recently added is the ability to route internal sound to different output busses for adding external effects in AUM.
Audio Shredder
This is a AUv3 compatible audio effect which can be used as plugin with your favourite DAW such as Cubasis, Meteor, Auria or GarageBand. It supports a modern graphical interface and presets with stereo meters for monitoring signal levels.
This audio shredder does just what is says, it shreds incoming audio (usually strings or lengthy sustained chords) into bite size pieces, adds an envelope and passes through a filter of choice. The result is a gated staccato effect which you can shape into patterns or runs of quarter notes. These kinds of patterns can be heard in Trance / Dubstep / Hip Hop or other modern electronic music genres. You can control both left and right stereo channels independently, with control over pulse width, attack and release.
There are 4 difference filter types (Low Pass, High Pass, Band Pass and Notch) which can be enabled, with independent control over cutoff frequency and resonance. You can even randomise new settings each step for some incredibly complex and pleasing textures.
Each quarter note can be independently triggered or you can join them together to create longer runs.
This plugin allows complete parameter automation and auto sync to master tempo.
For more information on these and other 4Pockets apps, click here:
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